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‘Your blood will run cold when the monster rises.’

Frankenstein and the Monster From Hell is a British science fiction horror film directed by Terence Fisher from a screenplay by John Elder {Anthony Hinds]. The Hammer Films production stars Peter CushingShane Briant (Straight on Till MorningDemons of the Mind; The Picture of Dorian Gray) and David Prowse (The Horror of Frankenstein; Vampire Circus).

Filmed at Elstree Studios in September/October 1972 but unreleased until 2nd May 1974, it was the final chapter in Hammer’s Frankenstein series as well as director Terence Fisher’s last film.

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New Blu-ray:

In the US, Scream Factory is releasing the film on Blu-ray on August 18, 2020. Order via

New: Audio Commentary With Film Historian/Author Steve Haberman And Film Historian/Filmmaker Constantine Nasr
New: The Men Who Made Hammer: Roy Skeggs
Audio Commentary With Actress Madeline Smith, Actor David Prowse, and Film Historian Jonathan Sothcott
Theatrical Trailer
Radio Spots


Baron Victor Frankenstein (Cushing) is housed at an insane asylum. He has been made a surgeon at the asylum, and has a number of privileges, as he holds secret information on the asylum’s corrupt director (John Stratton). The Baron, under the alias of Dr Karl Victor, uses his position to continue his experiments in the creation of man.

When Simon Helder (Briant), a young doctor and fan of the Baron’s work, arrives as an inmate, the Baron takes him under his wing as an apprentice. Together they work on a new creature. Unbeknownst to Simon, however, Frankenstein is acquiring body parts by murdering his patients.


The Baron’s new experiment is the hulking, ape-like Herr Schneider (Prowse), a homicidal inmate whom he has kept alive after a violent suicide attempt and on whom he has grafted the hands of a recently deceased sculptor (Bernard Lee). Since Frankenstein’s hands were badly burned in the name of science (perhaps in either The Evil of Frankenstein or Frankenstein Must Be Destroyed), the shabby stitch-work was done by Sarah (Madeline Smith), a beautiful mute girl who assists the surgeon, and who is nicknamed “Angel”. Simon tells the Baron that he is a surgeon, and the problem is solved.

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Buy Blu-ray:

Extra features include:  Taking Over the Asylum: The Making Of Frankenstein and the Monster From Hell – Charming Evil: Terence Fisher at Hammer – Audio commentary by Shane Briant and Madeline Smith, moderated by Marcus Hearn – Animated stills gallery. Hammer has confirmed that this version is the most complete ever released with “previously missing vein clamping/head sawing/mad dancing & more”.


Frankenstein and the Monster from Hell is far from the most dignified Hammer production; changing times and chintzy change purses saw to that. But what it lacks in finesse it makes up with muscle; while it didn’t change their fortune, it did show that Hammer could make its way in the modern age. It just needed an audience.” Daily Dead

“The ultra low budget does show in Scott MacGregor’s claustrophobic sets, unconvincing miniatures, and the monster’s get-up is obviously a pull-over mask designed by Eddie Knight (though the monster is unique in the annals of Frankenstein cinema). But Fisher’s direction and Cushing’s consummate performance (adding complete madness this time to the character) display a true dedication to this kind of cinema, and the confinement of the asylum only adds to the doomed, somber mood.” DVD Drive-in

” …the script does not develop in any interesting way: it is just a string of situations without resonance and the production obviously lacked resources, being incredibly limited in scope. What finally capsizes it though is the creature, a hairy muscle-bound apeman who has little menace to offer and certainly no poignancy.” David Pirie, A New Heritage of Horror

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” … the whole thing is subdued and listless – the murky greens and browns of the set design are depressing and there is a feeling that we are simply tracking over old ground.” Sinclair McKay, A Thing of Unspeakable Horror: The History of Hammer Films

“The film is preoccupied with failure and death, following the downbeat trend of Frankenstein Must Be Destroyed. It is Fisher’s last grim fairy-tale, with genuine moments of power and poetry, providing a fitting conclusion to the story of the Baron that does not disgrace the director or the star.” David Miller, The Peter Cushing Companion


“The Hammer Frankenstein series went out as it came in, led by Peter Cushing’s typically fine performance and Terence Fisher’s sound direction.” Tom Johnson, Deborah Del Vecchio, Hammer Films: An Exhaustive Filmography

Hammer Films An Exhaustive Filmography |


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The Hammer Story by Marcus Hearn, Alan Barnes – Buy from | 


Hammer Glamour by Marcus Hearn – Buy from |

The Art of Hammer by Marcus Hearn – Buy from |

Choice dialogue:

Baron Frankenstein (Peter Cushing) to the asylum inmates: “Go back to your rooms. There’s nothing more for you to see. It’s all over now.”

Cast and characters:

Peter Cushing … Baron Frankenstein
Shane Briant … Simon
Madeline Smith … Sarah
David Prowse … Monster (as Dave Prowse)
John Stratton … Asylum Director
Michael Ward … Transvest
Elsie Wagstaff … Wild One
Norman Mitchell … Police Sergeant
Clifford Mollison … Judge
Patrick Troughton … Bodysnatcher
Philip Voss … Ernst
Christopher Cunningham … Hans (as Chris Cunningham)
Charles Lloyd Pack … Professor Durendel (as Charles Lloyd-Pack)
Lucy Griffiths … Old Hag
Bernard Lee … Tarmut


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