All Cheerleaders Die is a 2013 American comedy horror film remake written and directed by Lucky McKee (The Woman; May) and Chris Sivertson for Modernciné.
The film is a bigger budget remake of the 2001 shot-on-video film All Cheerleaders Die, also written and directed by Lucky McKee and Chris Sivertson.
Maddy (Caitlin Stasey) is a rebel and outsider at Blackfoot High, dead set on bringing down the clique of too-cool cheerleaders who rule the school. When Maddy turns up at tryouts to infiltrate their squad, you might think that you know where this film is going.
However, after things turn ugly at a bush party and Maddy’s Wiccan ex-girlfriend Leena (Sianoa Smit-McPhee) interferes in her plot, Maddy, Leena and the whole pom-pom-wielding posse must become unlikely allies in a supernatural showdown against the boys, led by Terry (Tom Williamson), the captain of the football team.
Reviews [click links to read more]:
“The story has some of the pulpy energy of early Sam Raimi or Peter Jackson, but little of their subversive attitude or spiky originality. The characters are cartoonish, the pacing is bumpy and the plot illogical. Does this matter? Probably not to the film’s target demographic, assuming there is still an audience for knowingly trashy semi-spoof horror comedies which appear to be stranded somewhere the 1980s. A guilty pleasure, but instantly forgettable.” Stephen Dalton, The Hollywood Reporter
“All Cheerleaders Die is either a feminist film, or a particular type of man’s idea of what a feminist film could be. But it certainly is schlocky, funny, violent, clever and surprisingly sexy. It is a great unwind movie if you like this sort of thing and does what it sets out to do – entertain.” John Sharp, The Hollywood News
“… the satirical edge is underplayed enough to make some viewers wonder whether the film is faux-stupid or the real thing … Even for those most receptive to the tongue-in-cheek tone here, McKee and Silvertson’s in-joke will likely rate just middling on the scale of subversive hilarity. It’s a fond, briskly diverting homage, but not a truly inspired one. Performances, visual approach, f/x and other major contributions all faithfully adhere to current B-horror stylistic conventions.” Dennis Harvey, Variety
89 minutes | 2.35: 1 | Dolby Digital
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