THE SATANIC RITES OF DRACULA (1973) Reviews and overview

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The Satanic Rites of Dracula is a 1973 British Hammer film directed by Alan Gibson. It is the eighth film in the Hammer Dracula franchise and the seventh and final to feature Christopher Lee as Dracula. It was belatedly released in the USA in October 1978 as Count Dracula and His Vampire Bride.

Work began on what was tentatively titled Dracula is Dead and Well and Living in London in November 1972. The title was a parody of the stage and film musical revue Jacques Brel is Alive and Well and Living in Paris, but Christopher Lee was not amused. Speaking at a press conference in 1973, he said: “I’m doing it under protest… […] I think it is fatuous. I can think of twenty adjectives – fatuous, pointless, absurd. It’s not a comedy, but it’s got a comic title. I don’t see the point.”

The film was eventually re-titled and is a mixture of horror, science fiction and a spy thriller, with a screenplay by Don Houghton, a veteran of BBC’s Doctor Who.


A Secret Service agent (Maurice O’Connell) barely escapes from an English country house, in which Satanic rituals are celebrated. Before he dies of his wounds, he reveals to his superiors that four prominent members of society – a government minister, a peer, a general and a famous scientist – are involved in the cult, led by Chin Yang (Barbara Yu Ling).

In order to avoid any reprisals by the minister, the secret service call in Scotland Yard’s Inspector Murray (Michael Coles) to work on the case independently. Murray (who had appeared in the preceding Dracula film) suggests consulting noted occult expert Professor Lorrimar Van Helsing (Cushing)…


“Dracula’s second romp through modern London may be a rather desultory affair, but it certainly marks a great improvement on its disastrous predecessor, Dracula A.D. 1972. There are even one or two audacious touches which suggest how effective a modern transposition of the Dracula myth could be if it were handled with sufficiently subversive zeal…” David Pirie, BFI Monthly Film Bulletin, March 1974

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“Though top-billed Lee only has about 15 minutes of screen time in the movie (the bane of the Hammer Draculas, it seems), at least he has some dialog this time out, including a classic line lifted from Bram Stoker’s original novel. (“My revenge has spread over centuries, and has just begun!”) Cushing, of course, is his usual masterful self, injecting gravitas into every scene he’s in.” Eccentric Cinema

“Despite the action scenes and the attempts to perhaps make this more like a James Bond film, there’s actually a bleak, gloomy despondency to the entire proceedings and you really do get the feeling that this is the end of the Hammer series and possibly the end of the world as well. Having Dracula as the leader of a corrupt band of British politicians and businessmen is a masterstroke and could successfully be redone today…” House of Mortal Cinema


“Like the final Hammer horror film, Peter Sykes’ To the Devil a Daughter (1976), Satanic Rites attempts, with a certain amount of ambition, to more effectively fuse the traditional genre motifs with a realistic, contemporary setting and a style more redolent of spy and action movies.” This Island Rod

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Offline reading:

The Art of Hammer by Marcus Hearn – Buy from |

English Gothic: A Century of Horror Cinema by Jonathan Rigby (2002). Reynolds & Hearn, London, UK

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Buy: |

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Buy: |

The Hammer Vault by Marcus Hearn – Buy from |



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Cast and characters:

Christopher Lee … Count Dracula
Peter Cushing … Professor Lorrimer Van Helsing
Michael Coles … Inspector Murray
William Franklyn … Torrence
Freddie Jones … Professor Julian Keeley
Joanna Lumley … Jessica Van Helsing
Richard Vernon … Mathews
Barbara Yu Ling … Chin Yang
Patrick Barr … Lord Carradine
Richard Mathews … Porter
Lockwood West … Freeborne
Valerie Van Ost … Jane
Maurice O’Connell … Hanson
Peter Adair … Doctor
Maggie Fitzgerald … Vampire Girl
Pauline Peart … Vampire Girl
Finnuala O’Shannon … Vampire Girl
Mia Martin … Vampire Girl / Sacrifice Victim
John Harvey … Commissionaire
Marc Zuber … Guard 1
Paul Weston … Guard 2
Ian Dewar … Guard 3
Graham Rees … Guard 4

Filming locations:

Centre Point, London, England (D. D. Denham building exterior)
EMI Elstree Studios, Borehamwood, Hertfordshire, England (studio)
Freston Road, Notting Hill, London, England (car chase scene)
High Canons, Buckettsland Lane, Well End, Hertfordshire, England (Pelham House exteriors)
Queen’s Gate Lodge, 23a Elvaston Place, Kensington, London, England (The Keeley Foundation exterior)

Technical details:

87 minutes
Aspect ratio: 1.85: 1
Audio: Mono (RCA Sound Recording)


The original British cinema print was cut by the BBFC to heavily edit the opening sacrifice scene, two staking scenes and the electrocution of a guard (the proposed cuts to the shooting of Torrence were never made).

For the video release, the same cut print was submitted and a further second cut to remove a shot of Jane’s exposed bosom being pierced with a stake was required by the BBFC.


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