‘You may not believe in ghosts but you can not deny terror’
The Haunting is a 1963 British psychological horror film about a team of paranormal investigators staying in a seemingly haunted house.
The movie was directed by American Robert Wise (Audrey Rose) from a screenplay by Nelson Gidding based on the novel The Haunting of Hill House by Shirley Jackson (We Have Always Lived in the Castle). It was remade in 1999.
The Argyle Enterprises production stars Julie Harris, Claire Bloom, Richard Johnson (The Monster Club; Zombie Flesh Eaters; Beyond the Door), Russ Tamblyn, Fay Compton, Rosalie Crutchley, Lois Maxwell and Valentine Dyall (City of the Dead).
Reviews:
“So many elements blend together perfectly in The Haunting, creating a horror film that, even decades later, will scare the piss out of you. In unison with the black and white photography, which perfectly conveys the dark, shadowy terrain of this most unusual abode, is the camerawork of Davis Boulton, who isn’t afraid to tilt and turn his camera, signifying a situation that is quickly spinning out of control.” 2,500 Movies Challenge
“Overlong ghost story with a surplus of dull chat. A few effective moments – the ‘breathing door’ is memorable…” Howard Maxford, The A – Z of Horror Films
“The Haunting relies on precise and unsettling compositions, low angles and unexpected camera moves. Wise shot very little additional coverage, editing in his head and checking dailies as he went, a life-long habit retained from his early days as a film editor. Warner’s 2003 DVD of this MGM film wasn’t bad, but this 1080p, AVC-encoded Blu-ray improves on it in every respect.” Blu-ray.com
“The Haunting is a wonderfully mature horror film, as ambiguous as it is terrifying, leaving some doubt in the mind of the viewer as to what really is going on. Like that other great British ghost film of the 1960s, Jack Clayton’s masterly The Innocents (1961), there are hints that much of what we are seeing stems from the mind of its heroine…” The EOFFTV Review
“…it sets itself a dizzyingly high standard at the very outset with a prolonged flashback detailing the troubled history of Hill House, the episodes blending into one another via disquieting dissolves that seem liable at any moment to disclose a ghostly face. The film comes complete with a queasily atonal score by Humphrey Searle and a remarkable cast of British character actors. It’s pulverisingly effective as a haunted house picture and a fascinating character study to boot.” Jonathan Rigby, English Gothic, A Century of Horror Cinema
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“A chillingly effective ghost story made all the more scary by Wise’s sensible refusal to make things visually explicit, relying instead upon the horror of the unseen. The sound effects are particularly well done and add immensely to the overall horrific effect.” Alan Frank, The Horror Film Handbook
“We are treated to a flood of reaction shots from the actors so that we can clearly see how scared they are. We only get one special effect toward the end of the 2nd act, but the buildup surrounding it makes it all the more terrifying. And other than some schizoid cinematography, there are no other special effects for the rest of the film, but you’re already in such a terrified state that you don’t care.” The Pitt and the Pendulum
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“The Haunting relies heavily on the acting of Julie Harris. And it works. Her fragile sanity and fits of anger, persecution and guilt seem to mirror the house’s bouts of door-slamming, moaning, children crying and general craziness. The cinematography by David Boulton should be singled out […] This is a classic not-to-be-missed.” The Terror Trap
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