‘Terror is on the line’
Final Caller is a 2020 American horror film about a shock jock DJ who receives calls from a killer who is murdering victims while on air.
Written and directed by Todd Sheets (Clownado; Bonehill Road; Dreaming Purple Neon; Goblin; et al).
The Extreme Entertainment production stars Douglas Epps, Rachel Lagen, Alex Brotherton, Jack McCord, Jane Plumberg, Antwoine Steele and Dilynn Fawn Harvey.
Reviews:
” …has more gross-out gore than anything you’ll see for the rest of the year, delivering in a way that an old-fashioned slasher should make you feel: it’s aberrant, mean spirited and makes you feel like you need to lie in the shower for some time afterward, unsure of what to do next. Or you know, watch it again.” B&S About Movies
“An icon of shot-on-video horror, Sheets boasts a filmography of 50 some-odd titles across an astounding near-four decades. With that much hands-on experience, you’d expect progress and growth; indeed, Final Caller allows him to demonstrate a true knack for the rhythms of editing and setting up his shots. I’d love to see what he could do with an actual budget.” Flick Attack
“Lean, mean, n’ full of screams, Final Caller is an in-your-face stalk n’ slay affair with plenty of grizzly gore and solid performances all around!” Horror Fuel
“The budget of the film was reportedly one of his lowest yet, but naturally Todd has spared no expense in the gross-out department […] so if you’re in the mood for yuck, you’ll find it here. The acting is very much in line with what we’ve come to expect from a Sheets films, wildly over-the-top […] a nicely crafted thriller.” Horror Geek Life
“Final Caller delivers on what fans would expect from a Todd Sheets film […] What is different from other recent films from the filmmaker is that the focus is on a tightly woven story.” Pop Horror
“For what was such a low-budget shoot, Final Caller looks great and gets a lot of production value on the screen. I expected plenty of effects, but I certainly wasn’t expecting Sheets to deliver a visit from the SWAT team. It also benefits from Douglas Epps and Jack McCord as adversaries who are more alike than different. Both give performances that match the material.” Voices from the Balcony
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