Giallo and related horror thrillers – free online on YouTube
Many of the following movies are available for free online. In some cases where they aren’t, a link to the trailer or a clip at least provides a taster. Key or particularly enjoyable Gialli films are marked in bold, even some of the fun trashier ones.
For completist coverage, many Giallo-related films are also noted, including productions from other countries that were clearly influenced by these crime/murder/horror crossover mysteries. A couple of German Krimi films are noted, although a separate Krimi listing is in the works.
While these films are free on YouTube (often In Italian with an English subs otion), we strongly recommend purchasing physical Blu-ray or 4K releases to support the independent companies striving to release the best possible quality versions of genre fare such as 88 Films, Arrow, Indicator, Severin and Vinegar Syndrome. If anything, this listing is an introduction to Gialli and hopefully if you enjoy these of these stylish and often provocative flicks then you may wish to invest in high quality digital or physical media…
1960s
The Girl Who Knew Too Much (Mario Bava, 1963; Italian: La ragazza che sapeva troppo) a.k.a. Evil Eye
Blood and Black Lace (Mario Bava, 1964; Italian: Sei donne per l’assassino / Six Women for the Murderer) a.k.a. Fashion House of Death
Death on the Fourposter (Jean Josipovici and Ambrogio Molteni, 1964; Italian: Delitto allo Specchio / Crime in the Mirror) a.k.a. Sexy Party
24 ore di terrore (Gastone Grandi, 1964; translation: “24 Hours of Terror”)
The Monster of London City (Edwin Zbonek, 1964), a West German krimi film that predated the Italian Giallo format
A Game of Crime (Romano Ferrara, 1964; Italian: Crimine a due / Crime for Two)
The Embalmer (Dino Tavella, 1965; Italian: Il mostro di Venezia / The Monster of Venice)
Assassination in Rome (Silvio Amadio, 1965; Italian: Il segreto del vestito rosso / The Secret of the Red Dress)
Libido (Ernesto Gastaldi, 1965)
The Possessed (Luigi Bazzoni and Franco Rossellini, 1965; Italian: La donna del lago / The Lady of the Lake) a.k.a. Love, Hate and Dishonour
Night of Violence (Roberto Mauri, 1965; Italian: Le notti della violenza / Nights of Violence) a.k.a. Call Girls 66
The Third Eye (Mino Guerrini, 1966; Italian: Il terzo occhio)
A… For Assassin (Angelo Dorigo, 1966; Italian: A… come Assassino)
The Murder Clinic (Elio Scardamaglia, 1966; Italian: La lama nel corpo / The Knife in the Body), a.k.a. Nights of Terror, a.k.a. Revenge of the Living Dead
Date for a Murder (Mino Guerrini, 1966; Italian: Omicidio per appuntamento/ Murder by Appointment)
The Murderer with the Silk Scarf (Adrian Hoven, 1966; German: Der Mörder mit dem Seidenschal) starring Helga Line
The Psychopath (Freddie Francis, 1966, UK)
Killer Without a Face (Angelo Dorigo, 1967; Italian: Assassino senza volto) starring Janine Reynaud
Deadly Sweet (Tinto Brass, 1967; Italian: Col cuore in gola/ With Heart in Mouth) a.k.a. I Am What I Am
Woman Despiser (Ilhan Engin, 1967; Turkish: Kadin Düsmani)
The Sweet Body of Deborah (Romolo Guerrieri, 1968; Italian: Il dolce corpo di Deborah)
Death Laid an Egg (Giulio Questi, 1968; Italian: La morte ha fatto l’uovo) a.k.a. Plucked, a.k.a. A Curious Way to Love
The Young, the Evil and the Savage (Antonio Margheriti, 1968; Italian: Nude… si muore/ Naked… You Die!) a.k.a. The Schoolgirl Killer
Deadly Inheritance (Vittorio Sindoni, 1968; Italian: L’assassino ha le mani pulite / The Killer has Clean Hands)
Run, Psycho, Run (Brunello Rondi, 1968; Italian: Più tardi Claire, più tardi…) starring Janine Renaud
A Black Veil for Lisa (Massimo Dallamano, 1968; Italian: La morte non ha sesso / Death Has No Sex)
Agonizando en el crimen (Enrique López Eguiluz, 1968; Spanish/French)
Yellow – Le cugine (Gianfranco Baldanello, 1969)
The Seducers (Ottavio Alessi, 1969; Italian: Top Sensation)
Interrabang (Giuliano Biagetti, 1969)
A Complicated Girl (Damiano Damiani, 1969; Italian: Una ragazza piuttosto complicata/ A Rather Complicated Girl) starring Florinda Bolkan
Night, After Night, After Night (Lindsay Shonteff, 1969: British) a.k.a Night Slasher
So Sweet…So Perverse (Umberto Lenzi, 1969; Italian: Così dolce…così perversa)
The Doll of Satan (Ferruccio Casapinta, 1969; Italian: La bambola di Satana “Satan’s Doll”)
Carnal Circuit (Alberto De Martino, 1969; Italian: Femmine insaziabili)
One on Top of the Other (Lucio Fulci, 1969; Italian: Una sull’altra) a.k.a.Perversion Story
Murder by Music (Julio Buchs, 1969; Spanish: Las trompetas del apocalipsis/ Trumpets of the Apocalypse); starring Brett Halsey, Marilu Tolo
The House That Screamed (Narciso Ibáñez Serrador, Spanish, 1969) a.k.a. La residencia, a.k.a. The Boarding School
Death Knocks Twice (Harald Philipp, 1969; Italian: La morte bussa due volte) a.k.a. Blonde Bait for the Murderer, a.k.a. Hard Women, a.k.a. The Blonde Connection
Double Face (Riccardo Freda, 1969; Italian: A doppia faccia) a.k.a. Liz et Helen
Macabre (Javier Setó, 1969; Spanish: Viaje al vacío / Journey to Emptiness) a.k.a. The Invisible Assassin, a.k.a. Shadow of Death
Orgasmo (Umberto Lenzi, 1969), released in the USA as Paranoia
1970s
The Bird with the Crystal Plumage (Dario Argento, 1970; Italian: L’uccello dalle piume di cristallo) a.k.a. Phantom of Terror, a.k.a. The Gallery Murders
Hatchet for the Honeymoon (Mario Bava, 1970; Italian: Il rosso segno della follia / The Red Mark of Madness) a.k.a. Blood Brides
Paranoia (Umberto Lenzi, 1970, released in the USA as A Quiet Place to Kill
Five Dolls for an August Moon (Mario Bava, 1970; Italian: 5 bambole per la luna d’agosto) a.k.a. Island of Terror
Death Occurred Last Night (Duccio Tessari, 1970; Italian: La morte risale a ieri sera
A Suitcase for a Corpse (Alfonso Brescia, 1970; Italian: Il tuo dolce corpo da uccidere / Your Sweet Body to Murder)
Your Hands on My Body (Brunello Rondi, 1970; Italian: Le tue mani sul mio corpo) a.k.a. Schocking
Forbidden Photos of a Lady Above Suspicion (Luciano Ercoli, 1970; Italian: Le foto proibite di una signora per bene)
Kill the Fatted Calf and Roast It (Salvatore Samperi, 1970; Italian: Uccidete il vitello grasso e arrostitelo)
In the Folds of the Flesh (Sergio Bergonzelli, 1970; Italian: Nelle pieghe della carne)
The Weekend Murders (Michele Lupo, 1970; Italian: Concerto per pistola solista) a.k.a. The Story of a Crime
Assault (Sidney Hayers, British) a.k.a. In the Devil’s Garden; The Creepers
The Man with Icy Eyes (Alberto De Martino, 1971; Italian: L’uomo dagli occhi di ghiaccio)
A Lizard in a Woman’s Skin (Lucio Fulci, 1971; Italian: Una lucertola con la pelle di donna) a.k.a. Schizoid
The Fifth Cord (Luigi Bazzoni, 1971; Italian: Giornata nera per l’ariete / Black Day for the Ram) a.k.a. Evil Fingers
Oasis of Fear (Umberto Lenzi, 1971; Italian: Un posto ideale per uccidere / An Ideal Place to Kill) a.k.a. Dirty Pictures
The Strange Vice of Mrs. Wardh (Sergio Martino, 1971; Italian: Lo strano vizio della Signora Wardh) a.k.a. Blade of the Ripper, a.k.a. Next!, a.k.a. The Next Victim
The Case of the Scorpion’s Tail (Sergio Martino, 1971; Italian: La coda dello scorpione / Tail of the Scorpion)
The Black Belly of the Tarantula (Paolo Cavara, 1971; Italian: La tarantola dal ventre nero)
The Cat o’ Nine Tails (Dario Argento, 1971; Italian: Il gatto a nove code)
The Bloodstained Butterfly (Duccio Tessari, 1971; Italian: Una farfalla con le ali insanguinate) a.k.a. Secret of the Black Rose
Four Flies on Grey Velvet (Dario Argento, 1971; Italian: 4 mosche di velluto grigio)
Marta (José Antonio Nieves Conde, 1971; Italian: …dopo di che, uccide il maschio e lo divora / “Afterwards, It Kills and Devours the Male”)
The Double (Romolo Guerrieri, 1971; Italian: La Controfigura) a.k.a. Love Inferno
Cross Current (Tonino Ricci, 1971; Italian: Un Omicidio perfetto a termine di legge / A Perfect Murder According to Law)
The Iguana with the Tongue of Fire (Riccardo Freda, 1971; Italian: L’iguana dalla lingua di fuoco)
A Bay of Blood (Mario Bava, 1971; Italian: Reazione a catena / Chain Reaction) a.k.a. Twitch of the Death Nerve, a.k.a. Ecologia del delitto / Ecology of Crime, a.k.a. Last House on the Left Part 2
They Have Changed Their Faces (Corrado Farina, 1971; Italian: Hanno cambiato faccia)
The Designated Victim (Maurizio Lucidi, 1971; Italian: La vittima designata) a.k.a. Murder by Design
Slaughter Hotel (Fernando Di Leo, 1971; Italian: La bestia uccide a sangue freddo / The Beast Kills in Cold Blood) a.k.a. Asylum Erotica, a.k.a. The Cold-Blooded Beast
The Fourth Victim (Eugenio Martín, 1971; Italian: In fondo alla piscina / At the Front of the Pool), a.k.a. Death at the Deep End of the Pool, a.k.a. La ultima señora Anderson / The Last Mrs. Anderson, starring Carroll Baker
The Devil Has Seven Faces (Osvaldo Civirani, 1971; Italian: Il diavolo ha sette facce) a.k.a. The Devil with Seven Faces
7 Murders for Scotland Yard (José Luis Madrid, 1971; Spanish: Jack el destripador de Londres/ Jack the Ripper of London) a.k.a. Seven Corpses for Scotland Yard
Death Walks on High Heels (Luciano Ercoli, 1971; Italian: La morte cammina con i tacchi alti) stars Susan Scott
The Short Night of the Glass Dolls (Aldo Lado, 1971; Italian: La corta notte delle bambole di vetro) a.k.a. Paralyzed
Cold Eyes of Fear (Enzo G. Castellari, 1971; Italian: Gli occhi freddi della paura) a.k.a. Desperate Moments
Human Cobras (Bitto Albertini, written by Ernesto Gastaldi, 1971; Italian: L’uomo più velenoso del cobra)
In the Eye of the Hurricane (José María Forqué, 1971; Italian: La volpe dalla coda di velluto / The Fox with a Velvet Tail)
The Glass Ceiling (Eloy de la Iglesia, 1971; Spanish: El techo de cristal) stars Carmen Sevilla, Patty Shepard and Emma Cohen
Two Males for Alexa / Due maschi per Alexa (Juan Logar, 1971; Spanish: Fieras sin jaula/ Cageless Beasts) stars Rosalba Neri and Emma Cohen
The Night Evelyn Came Out of the Grave (Emilio Miraglia, 1971; Italian: La notte che Evelyn uscì dalla tomba)
The Great Swindle (José Antonio Nieves Conde, 1971; Spanish: Historia de una traición)
Amuck! (Silvio Amadio, 1971; Italian: Alla ricerca del piacere / In Pursuit of Pleasure) a.k.a. Maniac Mansion, a.k.a. Leather and Whips, a.k.a. Hot Bed of Sex
The Red Headed Corpse (Renzo Russo, 1972; Italian: La rossa dalla pelle che scotta) a.k.a. The Sensuous Doll
The Case of the Bloody Iris (Giuliano Carnimeo, 1972; Italian: Perché quelle strane gocce di sangue sul corpo di Jennifer? / What Are Those Strange Drops of Blood on Jennifer’s Body?)
Don’t Torture a Duckling (Lucio Fulci, 1972; Italian: Non si sevizia un paperino) a.k.a. The Long Night of Exorcism
Who Killed the Prosecutor and Why? (Giuseppe Vari, 1972; Italian: Terza ipotesi su un caso di perfetta strategia criminale / Third hypothesis about a perfect criminal strategy case)
Death Walks at Midnight (Luciano Ercoli, 1972: Italian: La morte accarezza a mezzanotte/ Death Caresses at Midnight) a.k.a. Cry Out in Terror
Alta Tension / High Tension (Julio Buchs, 1972; Spanish: Doppia coppia con Regina) starring Helga Line, Marisa Mell
An Open Tomb…An Empty Coffin (Alfonso Balcázar, 1972; Spanish: La casa de las muertas vivientes / House of the Living Dead Women) a.k.a. The Nights of the Scorpion
Who Saw Her Die? (Aldo Lado, 1972; Italian: Chi l’ha vista morire?)
My Dear Killer (Tonino Valerii, 1972; Italian: Mio caro assassino)
Shadows Unseen (Camillo Bazzoni, 1972 : Abuso di potere)
Spirits of Death (Romano Scavolini, 1972; Italian: Un bianco vestito per Marialé/ A White Dress for Mariale) a.k.a. Exorcisme Tragique
Your Vice Is a Locked Room and Only I Have the Key (Sergio Martino, 1972; Italian: Il tuo vizio è una stanza chiusa e solo io ne ho la chiave) a.k.a. Gently Before She Dies, a.k.a. Eye of the Black Cat, a.k.a. Excite Me!
The French Sex Murders (Ferdinando Merighi, 1972; Italian: Casa d’appuntamento/ The House of Rendezvous) a.k.a. The Bogey Man and the French Murders
Death Falls Lightly (Leopoldo Savona, 1972; Italian: La morte scende leggera)
Smile Before Death (Silvio Amadio, 1972; Italian: Il sorriso della iena/ Smile of the Hyena)
What Have You Done to Solange? (Massimo Dallamano, 1972; Italian: Cosa avete fatto a Solange?) a.k.a. Secret of the Green Pins, a.k.a. Who’s Next?, a.k.a. Terror in the Woods
Knife of Ice (Umberto Lenzi, 1972; Italian: Il coltello di ghiaccio)
Eye in the Labyrinth (Mario Caiano, 1972; Italian: L’occhio nel labirinto) a.k.a. Blood, starring Alida Valli
All the Colours of the Dark (Sergio Martino, 1972; Italian: Tutti i colori del buio) a.k.a. Day of the Maniac, a.k.a. They’re Coming to Get You!
The Killer is on the Phone (Alberto De Martino, 1972; Italian: L’assassino e’ al telefono) a.k.a. Scenes From a Murder, starring Telly Savalas
Tropic of Cancer (Edoardo Mulargia, 1972; Italian: Al Tropico del Cancro) a.k.a. Death in Haiti
Love and Death in the Garden of the Gods (Sauro Scavolini, 1972; Italian: Amore e morte nel giardino degli dei)
The Dead Are Alive (Armando Crispino, 1972; Italian: L’etrusco uccide ancora / The Etruscan Kills Again)
So Sweet, So Dead (Roberto Montero, 1972; Italian: Rivelazione di un maniaco sessuale/ Revelations of a Sex Maniac) a.k.a. The Slasher is the Sex Maniac, a.k.a. Penetration
Delirium (Renato Polselli, 1972; Italian: Delirio caldo “Hot Delirium”)
Seven Blood-Stained Orchids (Umberto Lenzi, 1972; Italian: Sette orchidee macchiate di rosso)
The Crimes of the Black Cat (Sergio Pastore, 1972; Italian: Sette scialli di seta gialla / Seven Shawls of Yellow Silk)
Naked Girl Killed in the Park (Alfonso Brescia, 1972; Italian: Ragazza tutta nuda assassinata nel parco) a.k.a. Naked Girl Found in the Park
The Two Faces of Fear (Tulio Demicheli, 1972; Italian: I due volti della paura) a.k.a. Two Faces of Terror, starring Anita Strindberg, George Hilton
The Weapon, the Hour, the Motive (Francesco Mazzei, 1972; Italian: L’arma, l’ora, il movente)
The Red Queen Kills Seven Times (Emilio Miraglia, 1972; Italian: La dama rossa uccide sette volte) a.k.a. Blood Feast, a.k.a. Feast of Flesh
The Cat in Heat (Nello Rossati, 1972; Italian: La gatta en calore)
A.A.A. Masseuse, Good-Looking, Offers Her Services (Demofilo Fidani, 1972; Italian: A.A.A. Massaggiatrice bella presenza offresi…)
The Murder Mansion (Francisco Lara Polop, 1972), Spanish: La mansión de la niebla
Death Carries a Cane (Maurizio Pradeaux, 1973) Italian: Passi di danza su una lama di rasoio / Dance Steps on a Razor’s Edge; a.k.a. Maniac at Large, a.k.a. Tormentor
Torso (Sergio Martino, 1973; Italian: I corpi presentano tracce di violenza carnale / The Bodies Show Traces of Carnal Violence)
The Deadly Triangle (Joaquín Luis Romero Marchent, 1973; Spanish El juego del adulterio / The Game of Adultery)
The Flower with the Petals of Steel (Gianfranco Piccioli, 1973; Italian: Il fiore dai petali d’acciaio / The Flower with the Deadly Sting) starring Carroll Baker
Seven Deaths in the Cat’s Eyes (Antonio Margheriti, 1973; Italian: La morte negli occhi del gatto / Death in the Eyes of the Cat)
The Bloodstained Lawn (Riccardo Ghione, 1973; Italian: Il prato macchiato di rosso)
The Sex of the Witch (Angelo Pannaccio, 1973; Italian: Il sesso della strega) starring Camille Keaton
Love and Death on the Edge of a Razor (Giusseppe Pellegrini, 1973; Italian: Giorni d’amore sul filo di una lama) a.k.a. Muerte au Rasoir
The Crimes of Petiot (José Luis Madrid, 1973; Spanish: Los crímenes de Petiot)
Death Smiles on a Murderer (Joe D’Amato, 1973; Italian: La morte ha sorriso all’assassino)
No One Heard the Scream (Eloy de la Iglesia, 1973; Spanish: Nadie oyó gritar stars Carmen Sevilla)
Don’t Look Now (Nicolas Roeg, 1973; Italian: A Venezia… un Dicembre rosso shocking “In Venice… a Shocking Red December”)
The Killer Is One of 13 (Javier Agguire 1973, Spanish: El asesino está entre los trece)
Afrika (Alberto Cavallone, Italy;1973)
La muerte incierta (José Ramón Larraz, 1973; British; translation: “The Uncertain Death”)
El espectro del terror (José María Elorrieta, 1973 ;Spanish) a.k.a Deviazone
Scream… and Die! (José Ramón Larraz, 1973; British) a.ka. The House That Vanished
The Perfume of the Lady in Black (Francesco Barilli, 1974; Italian: Il profumo della signora in nero)
Delitto d’autore (Mario Sabatini, 1974; translation: “Copyright Crime”) starring Sylva Koscina, Luigi Pistilli
The Blue Eyes of the Broken Doll (Carlos Aured, 1974; Spanish: Los ojos azules de la muñeca rota) a.k.a. House of Psychotic Women
Il baco da seta ( Mario Sequi, 1974; Itailan: “The Silk Worm”)
Five Women for the Killer (Stelvio Massi, 1974; Italian: Cinque donne per l’assassino)
Spasmo (Umberto Lenzi, 1974)
Puzzle (Duccio Tessari, 1974; Italian: L’uomo senza memoria / The Man Without a Memory)
The Girl in Room 2A (William Rose, 1974, Italian: La casa della paura / The House of Fear) a.k.a. The Perversions of Mrs. Grant
The Killer Reserved Nine Seats (Giuseppe Bennati, 1974; Italian: L’assassino ha riservato nove poltrone)
Mania (Renato Polselli,1974; Italy)
Ordine firmato in bianco (Gianni Manera, 1974; translation: “Orders Signed in White”)
What Have They Done to Your Daughters? (Massimo Dallamano, 1974; Italian: La polizia chiede aiuto / The Police Need Help) a.k.a. The Co-ed Murders
Ciak…si muore (Mario Moroni, 1974; rough translation: Clack…You Die (as in the sound a clapboard makes)
The Killer Wore Gloves (Juan Bosch, 1974; Spanish: La Muerte llama a las diez / Death Calls at Ten) a.k.a. Le calde labbra del carnefice / The Hot Lips of the Killer
The Killer With a Thousand Eyes (Juan Bosch, 1974; Spanish: Los mil ojos del asesino) a.k.a. On The Edge
The Fish With the Gold Eyes (Pedro Luis Ramírez, 1974, Spanish: El pez del los ojos de oro) starring Monserrat Prous
Death Will Have Your Eyes (Giovanni D’Eramo, 1974; Italian: La moglie giovane/ The Young Wife) a.k.a. Triangle, a.k.a. Infamia
Violent Blood Bath (Jorge Grau, 1974, Spanish: Original title: Pena de muerte
The Wife Killer (Greece: Eglima sto Kavouri) a.k.a Death Kiss; The R@pe Killer
Eyeball (Umberto Lenzi, 1975; Italian: Gatti rossi in un labirinto di vetro / “Red Cats in a Glass Maze”) a.k.a. Wide-Eyed in the Dark
Autopsy (Armando Crispino, 1975; Italian: Macchie solari / Sunspots)
The Killer Must Kill Again (Luigi Cozzi, 1975; Italian: L’assassino è costretto ad uccidere ancora) a.k.a. Il Ragno (The Spider), a.k.a. The Dark is Death’s Friend
Giochi erotici di una famiglia per bene/ “Erotic Games of a Good Family” (Francesco Degli Espinosa, 1975) starring Erica Blanc
All the Screams of Silence (Ramón Barco, 1975, Spanish: Todo los gritos del silencio)
A Dragonfly for Each Corpse (León Klimovsky, 1975; Spanish: Una libélula para cada muerto)
La pelle sotto gli artigli/ “The Skin Under the Claws” (Alessandro Santini, 1975) starring Gordon Mitchell
Footprints on the Moon (Luigi Bazzoni, 1975; Italian: Le orme/ Footsteps)
Deep Red (Dario Argento, 1975; Italian: Profondo rosso) a.k.a.The Hatchet Murders
Strip Nude for Your Killer (Andrea Bianchi, 1975) a.k.a. Nude per l’assassino
The Killer is Not Alone (Jesus Garcia de Duenas, 1975; Spanish: El asesino no está solo) starring Maria Rohm
Reflections in Black (Tano Cimarosa, 1975; Italian: Il vizio ha le calze nere / Vice Wears Black Hose)
Diary of an Erotic Murderess (Manuel Mur Oti, 1975; Spanish: La encadenada) a.k.a A Diary of a Murderess
The Suspicious Death of a Minor (Sergio Martino, 1975; Italian: Morte sospetta di una minorenne) a.k.a. Too Young to Die
The Bloodsucker Leads the Dance (Alfredo Rizzo, 1975; Italian: La sanguisuga conduce la danza) a.k.a. The Passion of Evelyn
…a tutte le auto della polizia (Mario Caiano, 1975; English: “Calling All Police Cars”) a.k.a. The Maniac Responsible
Snapshot of a Crime (Mario Imperoli, 1975; Italian: Istantanea per un delitto)
The Police Are Blundering in the Dark (Helia Colombo, 1975; Italian: La polizia brancola nel buio)
The Killer of Dolls (Miguel Madrid, 1975, Spanish: El asesino de muñecas)
Todos los gritos del silencio (Ramón Barco, 1975, Spanish, “All the Screams of Silence”)
The Hook (Errikos Andreou; Greek: To agistri) a.k.a. L’adultera, starring Barbara Bouchet, Günther Stoll, Bob Behling, Jessica Dublin
The House with Laughing Windows (Pupi Avati, 1976; Italian: La casa dalle finestre che ridono)
Plot of Fear (Paolo Cavara, 1976; Italian: E tanta paura “Too Much Fear”) a.k.a. Bloody Peanuts
Death Haunts Monica (Ramón Fernández, 1976; Spanish: La Muerte Ronda a Monica) starring Jean Sorel
Schizo (Pete Walker, 1976; British) a.k.a Amok
Death Steps in the Dark (Maurizio Pradeaux, 1977; Italian: Passi di morte perduti nel buio)
Crazy Desires of a Murderer (Filippo Walter Ratti, 1977; Italian: I vizi morbosi di una governante/ The Morbid Vices of a Housekeeper)
The Psychic (Lucio Fulci, 1977) a.k.a. Sette note in nero) a.k.a. Murder to the Tune of Seven Black Notes
The Pyjama Girl Case (Flavio Mogherini, 1977; Italian: La ragazza dal pigiama giallo / The Girl in the Yellow Pyjamas)
Watch Me When I Kill (Antonio Bido, 1977; Italian: Il gatto dagli occhi di giada / The Cat with the Jade Eyes) a.k.a. The Cat’s Victims
The Eyes Behind the Wall (Giuliano Petrelli, 1977; Italian: L’occhio dietro la parete) starring John Phillip Law
Nine Guests for a Crime (Ferdinando Baldi, 1977; Italian: 9 ospiti per un delitto) a.k.a. A Cry in the Night
Hotel Fear (Francesco Barilli, 1978; Italian: Pensione Paura)
The Sister of Ursula (Enzo Milioni, 1978; Italian: La sorella di Ursula) a.k.a. La muerte tiene ojos / Death Has Eyes, a.k.a. Ursula’s Sister
Red Rings of Fear (Alberto Negrin, 1978; Italian: Enigma rosso/ Red Enigma) a.k.a. Virgin Terror, a.k.a. Trauma, a.k.a. Rings of Fear
The Bloodstained Shadow (Antonio Bido, 1978; Italian: Solamente nero / Only Blackness)
L’immoralità (Massimo Pirri, 1978) a.k.a. Cock Crows at Eleven
The Perfect Crime (Giuseppe Rosati, 1978; Italian: Indagine su un delitto perfetto/ Investigation of a Perfect Crime) starring Joseph Cotten, Paul Muller
Trauma (Leon Klimovsky, 1978; Spanish: Violacion Fatal) starring Antonio Mayans
Atrocious Tales of Love and Death (Sergio Corbucci, 1979; Italian: Giallo napoletano) a.k.a. Melodie meurtriere, a.k.a. Atrocious Tales of Love and Revenge
The Killer Nun (Giulio Berutti, 1979; Italian: Suir omicidi) a.k.a. Deadly Habit
Giallo a Venezia (Mario Landi, 1979) a.k.a. Giallo in Venice
Play Motel (Mario Gariazzo, 1979)
1980s
Trhauma (Gianni Martucci, 1980; Italian: Il mistero della casa maledetta / Mystery of the Cursed House) a.k.a. Thrauma
Murder Obsession (Riccardo Freda, 1981; Italian: Follia omicida / Murder Madness a.k.a. Fear, a.k.a. The Wailing, a.k.a. The Murder Syndrome
The Secret of Seagull Island (Nestore Ungaro, 1981; Italian: L’isola del gabbiano) this was the feature version edited from a 1981 TV miniseries called Seagull Island, a British/Italian co-production
Madhouse (Ovidio Assonitis, 1981) a.k.a. There Was a Little Girl, a.k.a. And When She Was Bad
Nightmare (Romano Scavolini, 1981; USA) a.k.a. Nightmares in a Damaged Brain
Pieces (Juan Piquer Simón, 1982, Spanish: Mil gritos tiene la noche)
Tenebrae (Dario Argento, 1982) a.k.a. Unsane
The Scorpion with Two Tails (Sergio Martino, 1982; Italian: Assassinio al cimitero etrusco / Murder in the Etruscan Cemetery)
The New York Ripper [trailer] (Lucio Fulci, 1982; Italian: Lo squartatore di New York)
Delitto carnale (Cesare Canaveri, 1982; English: “Carnal Crime”) a.k.a. Killing of the Flesh, a.k.a. Sensual Murder
A Blade in the Dark (Lamberto Bava, 1983; Italian: La casa con la scala nel buio / The House with the Dark Staircase)
Blood Link (Alberto De Martino, 1983) a.k.a. Extrasensorial
The House of the Yellow Carpet (Carlo Lizzani, 1983; Italian: La casa del tappeto giallo)
Murder Rock (Lucio Fulci, 1984; Italian: Murderock – uccide a passo di danza) a.k.a. The Demon Is Loose!, a.k.a. Murder Rock – Dancing Death
Nothing Underneath (Carlo Vanzina, 1985; Italian: Sotto il vestito niente / Nothing Underneath the Dress) a.k.a. The Last Shot
Formula for a Murder (Alberto De Martino, 1985) a.k.a. 7 Hyden Park – La casa maledetta / 7 Hyde Park – The Cursed House
Phenomena (Dario Argento, 1985) a.k.a. Creepers
The House of the Blue Shadows [trailer] (Beppe Cino, 1986; Italian: La casa del buon ritorno) “The House with the Blue Shutters”
L’assassino è ancora tra noi (Camillo Teti, 1986; Italian: “The Killer is Still Among Us”)
You’ll Die at Midnight (Lamberto Bava, 1986; Italian: Morirai a mezzanotte) a.k.a. The Midnight Killer, a.k.a. Midnight Horror
The Monster of Florence (Cesare Ferrario, 1986; Italian: Il mostro di firenze) a.k.a. Night Ripper
Body Count (Ruggero Deodato, 1986; Italian: Camping Del Terrore) starring David Hess, Mimsy Farmer, John Steiner, Ivan Rassimov, Charles Napier
Delitti (Giovanna Lenzi, 1987; English: “Crimes”)
Sweets from a Stranger (Franco Ferrini, 1987; Italian: Caramelle da uno sconosciuto)
StageFright (Michele Soavi, 1987; Italian: Deliria) a.k.a. Aquarius, a.k.a. Bloody Bird
Delirium (Lamberto Bava, 1987; Italian: Le foto di Gioia / Photos of Gioia)
Opera (Dario Argento, 1987) a.k.a. Terror at the Opera
Phantom of Death (Ruggero Deodato, 1988; Italian: Un delitto poco comune / An Uncommon Crime) a.k.a. Off Balance
Too Beautiful to Die (Dario Piana, 1988; Italian: Sotto il vestito niente 2 / Nothing Underneath 2)
Dial: Help (Ruggero Deodato, 1988; Italian: Minaccia d’amore / Love Threat)
Delitti e profumi (Vittorio De Sisti, 1988; English: “Crimes and Perfume”)
Obsession: A Taste for Fear (Piccio Raffanini, 1988; Italian: Pathos: Un sapore di paura)
The Murder Secret (Mario Bianchi, Lucio Fulci, 1988; Italian: Non aver paura della zia Marta / Don’t Be Afraid of Aunt Martha) a.k.a. Aunt Martha Does Dreadful Things
Massacre (Andrea Bianchi, 1989)
Nightmare Beach (Umberto Lenzi, 1989) a.k.a. Welcome To Spring Break (slasher film)
Dangerous Women (Luigi Russo, 1989; Italian: Le Diaboliche) a.k.a. Una donna senza nome / Woman Without a Name
Dark Bar (Stelio Fiorenza, 1989) starring Barbara Cupisti
Arabella, the Black Angel [clip] (Stelvio Massi, 1989) a.k.a. Black Angel
Fashion Crimes (Bruno Gaburro, 1989; Italian: La morte è di moda)
1990s
Homicide in Blue Light (Alfonso Brescia, 1991; Italian: Omicidio a luci blu) starring David Hess
Body Puzzle (Lamberto Bava, 1992, Italian: Misteria); starring Joanna Pacula and Erika Blanc
Circle of Fear (Aldo Lado, 1992) a.k.a. The Perfect Alibi; starring Burt Young
Trauma (Dario Argento, 1993) a.k.a. Dario Argento’s Trauma
The Washing Machine (Ruggero Deodato, 1993; Italian: Vortice Mortale), filmed in Hungary
Dangerous Attraction (Bruno Mattei, 1993) starring David Warbeck
Gli occhi dentro (Bruno Mattei, 1993; a.k.a. Madness, a.k.a. Occhi Senza Volto / Eyes Without a Face
Omicidio al Telefono (Bruno Mattei, 1994; Italian: Murder by Telephone) a.k.a. L’assassino e al telefono / The Killer is on the Phone
La ragazza di Cortina (Giancarlo Ferrando, 1994, “The Girl from Cortina”)
The Strange Story of Olga O [clip] (Antonio Bonifacio, 1995), written by Ernesto Gastaldi, starring Florinda Bolkan
The Stendhal Syndrome [trailer] (Dario Argento, 1996; Italian: La sindrome di Stendhal)
The House Where Corinne Lived (Maurizio Lucidi, 1996; Italian: La casa dove abitava Corinne) made for TV movie
Fatal Frames (Al Festa, 1996) starring David Warbeck, Donald Pleasence and Linnea Quigley
Milonga (Emidio Greco, 1999)
Mozart is a Murderer (Sergio Martino, 1999; Italian : Mozart è un assassino)
2000s
Sleepless [Italian with English subs] (Dario Argento, 2001; Italian: Non ho sonno)
Red Riding Hood (Giacomo Cimini, 2003)
Bad Inclination (Pierfrancesco Campanella, 2003: Italian: Cattive inclinazioni)
The Card Player [trailer] (Dario Argento, 2004; Italian: Il cartaio)
Eyes of Crystal (Eros Puglielli, 2004; Italian: Occhi di cristallo)
The Vanity Serum (Alex Infascelli, 2004; Italian: Il siero della vanità)
Do You Like Hitchcock? (Dario Argento, 2005; Italian: Ti piace Hitchcock?)
Giallo [trailer] (Dario Argento, 2009)
2010s
Symphony in Blood Red (Luigi Pastore, 2010)
The Last Fashion Show (Carlo Vanzina, 2011; Italian: Sotto il vestito niente – L’ultima sfilata / Nothing Underneath: The Last Fashion Show)
Tulpa [clip] (Federico Zampaglione, 2012; Italian: Tulpa – Perdizioni mortali ) written by Dardano Sacchetti
Sonno Profondo [trailer] (Luciano Onetti, 2013; Argentina)
Francesca [trailer] (Luciano Onetti, 2015; Argentina)
Abrakadabra [trailer] (Luciano Onetti, 2018; Argentina)
2020s
Dark Glasses [trailer] (Dario Argento, 2022; Italian: Occhiali Neri)