THE MUMMY’S REVENGE (1973) Reviews and overview of Paul Naschy pic


The Mummy’s Revenge is a 1973 supernatural Spanish horror film directed by Carlos Aured (The Blue Eyes of the Broken DollHorror Rises from the Tomb; Curse of the Devil) from a screenplay written by Jacinto Molina [aka Paul Naschy]. The movie stars the latter, plus Jack Taylor (Wax; Pieces; Female Vampire), María Silva and Helga Liné (The Loreley’s Grasp; Horror Express; Horror). Produced by Julián Esteban (Devil Hunter). Original title La venganza de la momia


Ancient Egyptian pharaoh Amenhotep (Paul Naschy) tortures and kills innocent virgins as part of a blood sacrifice so he and his beloved concubine, Amarna (Rina Ottolina) can attain immortality. His tyrannical rule comes to an end when he is poisoned by righteous sorcerer Amen-Ra who entraps his soul forever as a mummified corpse.

Centuries later, American husband and wife archaeologists Nathan (Jack Taylor) and Abigail Stern (Maria Silva) unearth Amenhotep’s tomb. The pair take the mummy to London where their British financier, Sir Douglas Carter (Eduardo Calvo) enlists the aid of Egyptologist Assad Bey (also Paul Naschy) to decipher its secrets.

However, Assad and his assistant, Zanufer (Helga Liné), are devotees of Amenhotep. Soon, the resurrected mummy is prowling the streets of London abducting local virgins. Then Amenhotep discovers Sir Douglas’ half-Egyptian daughter, Helen (Rina Ottolina again) is the reincarnation of his lost love, Amarna…

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” …this manages to be entertaining almost in spite of itself. It’s nicely photographed, the art direction is surprisingly handsome, the mummy makeup is very decent and the film is fast-paced; zipping along from one scene to the next. Best of all, there’s an extremely high body count (20+) and plenty of blood, gore and action.” The Bloody Pit of Horror

“Director Carlos Aured – who did four films with Naschy – offers up bloody stabbings and throat slashing. There is even a guard who gets his head crushed. Best of all, there is a sequence where the mummy smashes the heads of the virgins and the gore effect is something that could easily work today, nearly 40 years later.” Video Junkie

“Monster fans will have great fun watching the shambling mummy crunch heads that squirt cherry syrup or smash faces into a waxy pulp. For all its kitsch comic book qualities the mummy remains an intimidating presence and racks up an impressive body-count before the film reaches a haunting, quite unexpected conclusion.” The Spinning Image

“The one area where Molina’s mummy opus falters is in the pacing. The film just plods along when there’s no blood and violence onscreen, which, thankfully, isn’t very often. There’s a plethora of whippings, throat slashings, head crushings and blood-drinking to appease the followers of the Spanish horror icon.” Cool @ss Cinema

“Paul Naschy’s character delivers an inspirational line: “It’s paradoxical that we, the native Egyptians, have to travel around the world to study our own civilization”. The mummy’s revenge, here, not only has to do with the pharaoh being betrayed, dethroned, and entombed alive thousands of years ago by his own people, but the curse itself is also a kind of vengeance on the archaeological “violation” of sacred tombs.” At the Mansion of Madness

“… Aured works up some foggy atmosphere in waterfront scenes seemingly modelled on Hammer’s The Curse of the Mummy. But the period detail is betrayed by a view of Tower Bridge flanked by modern buildings, and the ending – in which Helen, having been kissed by the mummy, becomes a mummy herself – is a nice idea poorly executed.” Jonathan Rigby, Euro Gothic

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“The capable art direction of Gumersindo Andres maximises the movie’s obviously shoestring budget, but whereas Fisher’s creature, played by the imposing and ascetic figure of Lee, had been motivated by and victimized for his passionate love for a beautiful woman, Molina’s stout weightlifter’s physique, combined with a rapidly misogynist script, transforms the mummy into a moronic butcher.” The Aurum Film Encyclopedia: Horror

Cast and characters:

Paul Naschy … Amenhotep / Assad Bey
Jack Taylor … Prof. Nathan Stern
María Silva … Abigail
Helga Liné … Zanufer (as Helga Line)
Luis Dávila … Inspector Taylor (as Luis Davila)
Rina Ottolina … Amarna and Helen
Eduardo Calvo … Sir Douglas Carter
Fernando Sánchez Polack … Anchaff (as Fernando S. Polack)
Luis Gaspar … Mozo en el pajar
José Yepes … George (as Jose Yepes)
Juan Antonio Soler … (as Juan A. Soler)
Celia Cruz
Pilar Bardem … Miss Gloria Burton
Ana María Pol … (as Ann Mary Pool)
Jose Monne
M. Cruz Fernández … (as M. Cruz Fernandez)
Amaya Perelló … Chica (as Amaya Perellon)
José Martínez Blanco … Narrator (uncredited)

Filming locations:

London, England (some exteriors)

Technical details:

91 minutes
Aspect ratio: 2.35: 1
Audio: Mono

Image credits: The Bloody Pit of Horror | Synopsis credit: The Spinning Image

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