INSIDIOUS: THE RED DOOR (2023) 32 reviews of horror sequel

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‘Face your demons’
Insidious: The Red Door is a 2023 American supernatural horror film that follows the Lambert family ten years after the last instalment, as Dalton begins college.

Directed by actor Patrick Wilson who starred in the first two movies in the franchise (which were, of course, directed by James Wan from screenplays by Leigh Whannell). Wilson – who is making his directorial debut – stars.

The screenplay was written by Scott Teems (Halloween Kills) based on a story by the aforementioned Leigh Whannell (The Invisible Man; Saw). Whannell also produced alongside Jason Blum, James Wan and Oren Peli.

The movie also stars Rose Byrne, Ty Simpkins, Hiam Abbass, Lin Shaye, Andrew Astor and Juliana Davies.

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Reviews:
“Patrick Wilson’s film, by virtue of a good direction, and a discreet ability to exploit the captivating scenery typical of the saga, is indeed decidedly more effective than the last two chapters; but nevertheless the sense of deja-vu that negatively impacts its own horror material, which to scare (or at least try to) asks first of all not to be predictable.” 6.5 out of 10, Asbury Movies

The Red Door isn’t interested in the mythology but instead in examining how its ghosts fractured the family and whether their enduring love can make them whole again. Wilson reminds audiences why they fell for the Lambert family in the first place with a sentimental sequel that tenderly bids them farewell. While it doesn’t give a sense of finality to the Further or its ghostly inhabitants, it does offer poignant closure to the protagonists that started it all.” 2.5 out of 5, Bloody Disgusting

“Patrick Wilson’s direction is average. The film has some genuinely scary jump scares, but they are few and far between. The biggest issue, however, is that the first four films had very memorable characters. Sadly, they are hardly there in the fifth and final part. The new characters don’t excite the viewers as much.” 2 out of 5, Bollywood Hungama

“Writer Scott Teems, working from characters created by Leigh Whanell, does an admirable job of keeping things grounded in reality, while Wilson does an equally good job with his actors, and only really lets the horror take over in the final part of the movie. For someone like me, who likes drama and thrillers, that slow-burning approach worked just fine…” A Celebration of Cinema

“As with the Insidious franchise tradition, the movie is filled with the usual jump scares. Too bad most of them are telegraphed before they happen, particularly if you are a seasoned horror fan. The camera placements aren’t as effective as James Wan and even Whannell, who directed Insidious: Chapter 3 but franchise regular Joseph Bishara remains the least saving grace for his typically ominous score.” 5 out of 10, Fiction Horizon

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“As a whole, the film maintains a tight pace, with Wilson demonstrating his knack for creating strong interpersonal relationships, which may be due to his rich theatrical background. Even if the third act at times flirts with the border of the confusing, with multiple characters and locations acting in parallel, the one-on-one focus keeps things clear, gives them substance, and delivers the necessary terror.” 3.5 out of 5, Filmy [translated from Greek]

“The customary gobbledygook about astral projection now buttresses stale subtext concerning the danger of pushing down painful memories, and the struggle to disrupt patterns of inherited injury. This facile psychologising ties together the most done-to-death notions in contemporary horror, and they’re only worsened by their articulation in half-baked metaphysics and dumbed-down symbolism.” 1 out of 5, The Guardian

“It may sound like “boring” drama but gives a tinge of very relevant PTSD that offers important depth to the story. In addition, it gives Insidious: The Red Door an extra layer of psychological horror that works amazingly with the otherwise classic paranormal tale. And don’t worry, there are also still grim creatures and brutal jump-scares along the way.” 3 out of 5, Heaven of Horror

“If you’ve ever seen any of the Insidious movies before, you will be able to unerringly predict all the scares. These films may be profitable, but they’re also painfully formulaic. There aren’t many content issues here aside from the carefully calibrated violence – the film is PG-13, after all – but a relatively low level of problematic content hardly qualifies as an endorsement. I can think of worse ways to spend the price of a movie ticket, but none spring readily to mind.” Grade: C- Parent Previews

” ...Insidious: The Red Door offers closure but little else. If you’re someone who has been following the Dalton story from the beginning, it might be worth it to see the arc completed. But for the rest looking for something spooky to see this weekend, don’t bother knocking on this door.” 2 out of 5, Punch Drunk Critics

“The story doesn’t do anything new from a family perspective, and there aren’t a lot of scenes of horror. The attempts at emotional bonding is appreciated, but there isn’t enough weight to any vapid character to make us care whether or not anyone lives or dies.” ★★ out of ★★★★ Splatter Critic

“There isn’t much to take away from Insidious: The Last Door; it’s bland jump scare after bland jump scare. It’s an M-rated horror film that serves to please the teenage crowd who want a thrill. It’s not a satisfying continuation of these characters yet it’s also not painful to sit through. It’s the ultimate “fine” horror venture.” Switch.

Insidious: The Red Door, like many horror movies, feels like it exists because it’s relatively cheap, compared to most movies, and easy to make a profit on. But, while you can forgive having a story that leads to 0 emotional investment, not having quality jump scares all the way through feels insulting as a burgeoning fan of modern horror.” 76% Wherever I Look

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