Demons of the Mind is a 1972 British horror film about a wealthy widower who locks up his two grown-up children, afraid that they will go mad, as did his wife. It was also released on VHS as Blood Evil.
The movie was directed by Peter Sykes (Venom; The House in Nightmare Park; To the Devil a Daughter) from a screenplay by Christopher Wicking (Scream and Scream Again), based on a story by Frank Godwin. The movie was co-produced by Anglo-EMI, Frank Godwin Productions and Hammer Film Productions by Michael Carreras and Frank Godwin.
The film stars Gillian Hills (Blowup; A Clockwork Orange; The Killer Wore Gloves), Paul Jones (Uncle Jack and the Loch Noch Monster), Robert Hardy (Berserk; Psychomania; Dark Places), Patrick Magee (Dementia 13; The Fiend; The Black Cat 1981), Michael Hordern – Whistle and I’ll Come to You; The Possession of Joel Delaney; Theatre of Blood), Shane Briant – Straight on Till Morning; Captain Kronos: Vampire Hunter; Frankenstein and the Monster from Hell) and Kenneth J. Warren (I, Monster; The Creeping Terror; Beyond Atlantis). Gillian Hills played a role originally intended for Marianne Faithfull and Robert Hardy was a substitute for a role originally intended for Eric Porter (Hands of the Ripper).
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Plot:
Count Zorn, a wealthy widower, locks up Emil and Elisabeth, his two young adult offspring, afraid that they will go mad, as did his wife. He then invites Falkenberg, a doctor of dubious reputation, to supervise the young people’s mental health. Meanwhile, in the vicinity of their mansion, grisly murders are happening…
Reviews:
” …an exotic, Wildean horror story, visually as extravagant and tantalising as a decadent painting … badly let down, though, by some grotesque overacting.” Time Out Film Guide
“Although it is made with style …the content is meagre … The film’s principal distinction is its violence, mostly gratuitous and, in the case of the final bloodbath, thoroughly unpleasant.” Monthly Film Bulletin
“oblique, ambitious and suffused with an air of primal dread, Demons of the Mind deserved better.” Marcus Hearn, The Hammer Story: The Authorised History of Hammer Films
” … a complex and unusual film which is sometimes confusing but always compelling.” Gary A. Smith, Uneasy Dreams
“Although Demons of the Mind is confusing and a bit hysterical, at least it is different; and in the copycat world of horror movies, that is worth something.” Tom Johnson, Deborah Del Vecchio, Hammer Films: An Exhaustive Filmography
“flashes of great originality and panache …a lifeless performance from Robert Hardy. EMI hated the film.” David Pirie, A New Heritage of Horror: The English Gothic Cinema
“Breathless, with excellent exposition of early psychoanalytical techniques, this is one of the best horrors of the period because it manages to be both thrilling and thought-provoking at the same time.” Andy Boot, Fragments of Fear: An Illustrated History of British Horror Films
“a strange, bleak tale of abnormal psychology in which Hammer’s characteristic period settings and horror-film clichés such as the raging mob are, for once, used with imagination.” The Curmudgeon
” …the movie has its ardent supporters as well as its critics. Visually, it’s intriguing enough, and it’s always fascinating to look at. The story remains obscure for a lot of the movie, though, and you need to keep on your toes and pay attention to key scenes to figure out just what’s going on.” Fantastic Movie Musings and Ramblings
” … a right load of old cobblers, which mixes costume drama with cod psychology and ends with a particularly gruelling amount of hand loppings, shootings, stabbings, and burning-crucifix-impalings. What makes it worth seeking out are the performances – Hordern’s nutty priest is a sight to see, Hardy is his usual hammy self and Magee is… well, Magee.” British Horror Films
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“Demons of the Mind would have worked on at least one level if we had a reason to care about Emil and Elizabeth. As neither is given a chance to have a personality, we see them as dull victims instead of people we hope will escape. The final revelation that Elizabeth is just as vicious as Emil, has no effect.” DVD Savant
” …a bold attempt at doing something different. It draws together the ancient curses and torch-wielding mobs of the past with the psychological disturbance, ethical betrayals and less forgiving narratives of a different kind of horror, and somewhere in the resulting tumult of colour and noise it finds unexpected soul.” Eye for Film
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