Black Sunday (1960) reviews

 
Rate this movie!
[Total: 0   Average: 0/5]

‘The undead demons of Hell terrorize the world in an orgy of stark horror’

Black Sunday is a 1960 Italian gothic horror feature film directed by Mario Bava from a screenplay written by Ennio de Concini, Mario Serandrei and Marcello Coscia (who was uncredited). The film stars Barbara Steele, John Richardson, Arturo Dominici and Ivo Garrani. Original title: La maschera del demonio; also known as The Mask of Satan and, in the UK, as Revenge of the Vampire

It was Bava’s official directorial debut, although he had completed several previous feature films without credit. Based very loosely on Nikolai Gogol’s short story “Viy”, the narrative concerns a vampire-witch who is put to death by her own brother, only to return 200 years later to feed on her descendants.

By the social standards of the 1960s, Black Sunday was considered unusually gruesome and was banned in the UK until 1968 because of its violence. In the U.S., some of the bloodletting was censored, in-house, by the distributor American International Pictures (AIP) before its theatrical release to the country’s cinemas.

black sunday mario bava

Despite the censorship, Black Sunday was a worldwide critical and box office success, and launched the careers of director Mario Bava and movie star Barbara Steele.

In 2004, one of the film’s sequences was voted number 40 among the “100 Scariest Movie Moments” by the Bravo TV network.

black_sunday_Spanish_poster

Plot:

In Moldavia, in the year 1630, beautiful witch Asa Vajda (Barbara Steele) and her paramour Javuto (Arturo Dominici) are sentenced to death for sorcery by Asa’s brother. Before being burned at the stake, Asa vows revenge and puts a curse on her brother’s descendants. A metal mask with sharp spikes on the inside is placed over the witch’s face and hammered repeatedly into her flesh.

Two centuries later, Doctor Thomas Kruvajan (Andrea Checchi) and his assistant Doctor Andre Gorobec (John Richardson), are traveling through Moldavia en route to a medical conference when one of the wheels of their carriage is broken, requiring immediate repair. While waiting for their coachman to fix it, the two wander into a nearby ancient crypt and discover Asa’s tomb. Observing her death mask through a glass panel, Kruvajan breaks the panel (and the cross above it) by accident while striking a bat. He then removes Asa’s death mask revealing a partially preserved corpse that is visible underneath, her face staring out malevolently. He cuts his hand on the broken glass. Some of his blood drips onto Asa’s dead face…

black sunday 1960 arturo dominici

“Asa’s masterfully-illuminated crypt is a moody accomplishment in itself, and the her vivid resurrection into this world — and the grand exploding coffin sequence that follows — is enough to bring chills to the spine of anyone with a flair for cinematic innovation. The same goes for Bava’s unparalleled real-time aging effects, which were accomplished by the simply usage of filters and lighting. Finally, Bava takes an unprecedented first in film by adding more blood and gore than most contemporary moviegoers were accustomed to seeing in 1960.” Blog Critics

“Here, the art house and horror meet seamlessly, creating a world that’s as beautiful and ethereal as it is haunting and atmospheric.” Talk of Horrors

Buy Blu-ray: Amazon.com

“Grisly stuff. At the same time, Black Sunday is strikingly beautiful in its crumbling sets and stark, chiaroscuro lighting. Bava served as his own cinematographer, and the combination of his expert lensing and the suitably gloomy production design generates a sublime gothic mood. As for Barbara Stelle, well, death becomes her—she’s enchantingly wicked here.” Blu-ray.com

tumblr_my29w1EEQt1qkclxdo1_1280

  • High Definition Blu-ray (1080p) and Standard Definition DVD presentation of two versions of the film; The Mask of Satan the European version with score by Roberto Nicolosi & Black Sunday the re-edited and re-dubbed AIP version with Les Baxter score, on home video for the first time
  • Three audio versions: Optional Italian, European English and AIP English re-dub and re-score
  • English SDH subtitles for both English versions and a new English subtitle translation of the Italian audio
  • Audio Commentary with Bava biographer and expert Tim Lucas
  • Introduction to the film by author and critic Alan Jones
  • Interview with star and horror icon Barbara Steele
  • Deleted Scene from the Italian version with notes by Tim Lucas
  • International Trailer
  • US Trailer
  • Italian Trailer
  • TV Spot
  • I Vampiri (1956) Italy s first sound horror film directed by Riccardo Freda and Mario Bava
  • US I Vampiri Trailer The Devil’s Commandment
  • Trailer reel trailers of all the major works by Mario Bava including rarities from the early part of his career
  • Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys
  • Collector s booklet featuring new writing on the films by Matt Bailey and Alan Jones, illustrated with original archive stills and posters

Buy Black Sunday + I Vampiri on Blu-ray from Amazon.co.uk

black sunday arturo dominici in mario bava horror classic

MOVIES and MANIA provides an independent aggregated range of previews, opinions and reviews from a wide variety of credited sources, plus our own reviews, in one handy web location. We rely solely on the very minor income generated by affiliate links and internet ads to stay online and expand. Please support us by not blocking ads on our site. Thank you.  
Advertisements

One Comment on “Black Sunday (1960) reviews”

  1. Barbara Steele was the ultimate Scream Queen back then. For a moment there, I thought the actress was Gabrielle Drake (of U.F.O. fame) because she and Barbara look alike. Great acting…Great horror movie, ahead of its time for the gore n slash.

Leave your comment here

This site uses Akismet to reduce spam. Learn how your comment data is processed.