The Howling is forty years old! And to celebrate Studiocanal UK is releasing a brand new 4K restoration of the 1981 “tale of timeless horror.
Dante’s classic satiric werewolf horror will premiere at this year’s Sitges Film Festival followed by a Home Entertainment release including a 4K UHD Limited Steel Book Edition, Collectors Edition, Blu-Ray, DVD and Digital on October 25th in the UK.”
Meanwhile, here’s our previous coverage of this genuine cult classic:
The Howling is a 1981 American supernatural horror feature film about a TV newswoman who encounters a serial killer and is sent to a remote resort to recover from her ordeal.
Directed by Joe Dante (Burying the Ex; Trapped Ashes; Matinee; Gremlins; Piranha), the movie is very loosely based on the novel of the same name by Gary Brandner, the screenplay was co-written by John Sayles (Piranha; Alligator) and Terence H. Winkless (future director of Not of This Earth ; Twice as Dead; The Nest).
Severely traumatised by a near-fatal encounter with a serial killer, TV newscaster Karen White (Dee Wallace) takes time off at a secluded retreat called “the Colony.” But when, after nights of being tormented by bestial, bloodcurdling cries, Karen ventures into the woods seeking answers, she makes a terrifying discovery. Now she must fight not only for her life but for her soul…
Rick Baker was originally handling the transformation and werewolf special effects for the film, but he left the production to work on An American Werewolf in London. Baker left the effects job for this film in the hands of assistant Rob Bottin.
Both this film and An American Werewolf in London were released the same year and both received praise for their makeup work. The Howling also features stop-motion animation by notable animator David W. Allen.
Both The Howling and An American Werewolf in London opened around the same time and there has always been debate as to which title is superior. In 1981 American Werewolf probably came out on top but over the years the reputation of The Howling has grown and is possibly now the more popular film of the two amongst genre fans rather than the general public.
The Howling spawned a series of largely unrelated, and widely derided, sequels. To date, the last in the franchise is 2011’s The Howling: Reborn.
“The Howling still holds up today as one of the greatest werewolf films. Directed by Joe Dante, it still feels tense and scary without looking at all dated or cheap. Indeed, Rob Bottin’s special effects, especially the transformation, are some of the best you’ll see.” Backseat Mafia
“The atmosphere and setting, combined with the great casting and ambitious special effects, make The Howling one of those new classics that seemed to constantly crop up in the early ’80s; films that would set a standard that many makeup and filmmaking souls have tried to live up to since.” DVD Verdict
“As usual in Dante’s movies (Gremlins), in-jokes abound, from characters named after werewolf movie directors, amusing cameos (Corman, Sayles, Forrest J Ackerman), and hammy inserts of wolfish cartoons and Allen Ginsberg’s “Howl”. It’s best appreciated now as a quintessential example of early-80s horror, with low-budget limitations evident throughout, but The Howling remains a giddy genre milestone.” Jeff Shannon
“The Howling is an absolute treat. It’s a werewolf movie, about people who know all about werewolves, for people who love werewolves. Fans can argue about which is best out of this and American Werewolf In London, but while I respect Landis’s very good film, I absolutely love Dante’s”. The Digital Fix
“Why is it that the Landis film tends to eclipse its rival? Perhaps it’s because An American Werewolf doesn’t force its humor as much. In An American Werewolf we find the gags outrageous yet slyly mischievous, while in The Howling the jokes are insistent and sometimes mean-spirited. The Howling is campy fun, to be sure, but not as rewarding upon subsequent viewing as An American Werewolf.” Movie Metropolis
A somewhat slow-moving first half segues to a nice build by the middle, and star Wallace is first-rate throughout. Spectacular Rob Bottin special effects for the creatures. A good woodsy atmosphere and a memorable “on air” climax are also solid highlights.” The Terror Trap
“With all the soft neon lighting, The Howling has a very European look to it that sets it apart from the rest of the (wolf) pack. The eerie score by Pino Donaggio adds to the Euro feel and makes the movie seem like an Argento giallo in some spots. And the cast is stellar. Dee Wallace is a terrific scream queen and Robert Picardo makes for a memorable psycho. And how can you not love any movie that features Kevin McCarthy, Dick Miller, John Carradine, and Slim Pickens?” The Video Vacuum
In 2019, PCS Collectibles was commissioned by Scream Factory to create a statue of the werewolf from Joe Dante’s The Howling. The PVC statue stands six and a half inches on its own and over nine inches tall with the base.
The standard werewolf statue – limited to 1,500 units – is available for $64.99 to order via Shout Factory.
Main cast and characters:
Dee Wallace … Karen White
Patrick Macnee … Doctor George Waggner
Dennis Dugan … Chris Halloran
Christopher Stone … R. William “Bill” Neill
Belinda Balaski … Terri Fisher – Matinee; Piranha
Kevin McCarthy … Fred Francis – Ghoulies Go to College; Matinee; Invasion of the Body Snatchers
John Carradine … Erle Kenton – House of the Long Shadows; The Monster Club; House of Dracula; et al
Slim Pickens … Sam Newfield – The Swarm
Elisabeth Brooks … Marsha Quist
Robert Picardo … Eddie Quist – Mansion of Blood; Monsterwolf; Dead Heat; et al
Margie Impert … Donna
Noble Willingham … Charlie Barton
James Murtaugh … Jerry Warren
Jim McKrell … Lew Landers
Kenneth Tobey … Older Cop – Homebodies; The Vampire; The Thing from Another World
Dick Miller … Walter Paisley
Meshach Taylor … Shantz
Don McLeod … T.C. Quist
On 9 October 2017, Studiocanal released The Howling on Blu-ray in the UK with the following special features:
Howlings Eternal with Producer Steven A. Lane
Cut to Shreds with Editor Mark Goldblatt
Interview with Co-writer Terence Winkless
Horror’s Hallowed Grounds: A Look at the Film’s Locations
Interview with Stop-Motion Animator David Allen
Audio Commentary with Author Gary Brandner